<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>NewMusicBox</title>
	<atom:link href="http://www.newmusicbox.org/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.newmusicbox.org</link>
	<description>A Web-based advocacy magazine and portal dedicated to the music of American composers and improvisers and their champions.</description>
	<lastBuildDate>Mon, 20 May 2013 17:02:19 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.5.1</generator>
		<item>
		<title>2013 ASCAP Concert Music Awards Honor León, Deak, Smith, Gould, and 28 Young Composers</title>
		<link>http://www.newmusicbox.org/articles/2013-ascap-concert-music-awards/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=2013-ascap-concert-music-awards</link>
		<comments>http://www.newmusicbox.org/articles/2013-ascap-concert-music-awards/#comments</comments>
		<pubDate>Mon, 20 May 2013 17:02:19 +0000</pubDate>
		<dc:creator>NewMusicBox Staff</dc:creator>
				<category><![CDATA[Headlines]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[awards]]></category>
		<category><![CDATA[awards ceremonies]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=21334</guid>
		<description><![CDATA[Tania León, Jon Deak, Steve Smith, the late Morton Gould, and 28 young composers were honored by the American Society of Composers, Authors and Publishers (ASCAP) during its 14th Annual Concert Music Awards, an invitation-only event held at Merkin Concert Hall at the Kaufman Center in New York City on Friday, May 17, 2013.]]></description>
		<wfw:commentRss>http://www.newmusicbox.org/articles/2013-ascap-concert-music-awards/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Monterrey Afterword</title>
		<link>http://www.newmusicbox.org/articles/monterrey-afterword/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=monterrey-afterword</link>
		<comments>http://www.newmusicbox.org/articles/monterrey-afterword/#comments</comments>
		<pubDate>Fri, 17 May 2013 16:50:57 +0000</pubDate>
		<dc:creator>Ratzo B. Harris</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[competition]]></category>
		<category><![CDATA[instrument repair]]></category>
		<category><![CDATA[jazz festivals]]></category>
		<category><![CDATA[saxophone competition]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=21317</guid>
		<description><![CDATA[Though luckily there were no drug cartel-associated mass murders in Monterrey as their had been on the opening night of last year's festival and again on the morning after the last performance, this year's Encuentro Internacional de Jazz y Música Viva was framed by its own internal controversy that emerged from its saxophone competition.]]></description>
		<wfw:commentRss>http://www.newmusicbox.org/articles/monterrey-afterword/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>One Tradition Deferred&#8211;No Rain at the 2013 Ceremonial</title>
		<link>http://www.newmusicbox.org/articles/2013-ceremonial/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=2013-ceremonial</link>
		<comments>http://www.newmusicbox.org/articles/2013-ceremonial/#comments</comments>
		<pubDate>Fri, 17 May 2013 14:59:25 +0000</pubDate>
		<dc:creator>Frank J. Oteri</dc:creator>
				<category><![CDATA[Headlines]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[awards ceremonies]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=21297</guid>
		<description><![CDATA[This year the academy gave out a total of $910,000 to 68 visual artists, architects, writers, and composers during the 2013 Ceremonial. Bob Dylan was inducted as an honorary member of the academy.]]></description>
		<wfw:commentRss>http://www.newmusicbox.org/articles/2013-ceremonial/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Lost to the Ages</title>
		<link>http://www.newmusicbox.org/articles/lost-to-the-ages/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lost-to-the-ages</link>
		<comments>http://www.newmusicbox.org/articles/lost-to-the-ages/#comments</comments>
		<pubDate>Fri, 17 May 2013 14:04:41 +0000</pubDate>
		<dc:creator>Rob  Deemer</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[preservation]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=21285</guid>
		<description><![CDATA[Obviously there are some genres--jazz quickly comes to mind--in which specific musical creative events occur and are lost on a daily basis. We can't keep everything, so it goes, but when it comes to our musical creations, this is how we as composers are going to be remembered.]]></description>
		<wfw:commentRss>http://www.newmusicbox.org/articles/lost-to-the-ages/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Different Spaces: Erewhon and Fusion</title>
		<link>http://www.newmusicbox.org/articles/different-spaces-erewhon-and-fusion/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=different-spaces-erewhon-and-fusion</link>
		<comments>http://www.newmusicbox.org/articles/different-spaces-erewhon-and-fusion/#comments</comments>
		<pubDate>Thu, 16 May 2013 15:58:26 +0000</pubDate>
		<dc:creator>Andrew  Sigler</dc:creator>
				<category><![CDATA[Field Reports]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Austin]]></category>
		<category><![CDATA[concert review]]></category>
		<category><![CDATA[venues]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=21243</guid>
		<description><![CDATA[Aside from the spectacular content, these shows illustrated (to me at least) the impact of the venue and how spaces shape the experience and help guide the audience. ]]></description>
		<wfw:commentRss>http://www.newmusicbox.org/articles/different-spaces-erewhon-and-fusion/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Recycling</title>
		<link>http://www.newmusicbox.org/articles/recycling/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=recycling</link>
		<comments>http://www.newmusicbox.org/articles/recycling/#comments</comments>
		<pubDate>Thu, 16 May 2013 14:36:01 +0000</pubDate>
		<dc:creator>Alexandra Gardner</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[composing process]]></category>
		<category><![CDATA[creativity]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=21277</guid>
		<description><![CDATA[I'm curious about composers recycling their work. As useful as repurposing material can be for stimulating ideas, has it become in some instances a shortcut by which we avoid the hard work of creating truly new material "out of thin air"?]]></description>
		<wfw:commentRss>http://www.newmusicbox.org/articles/recycling/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>My First Negative Review</title>
		<link>http://www.newmusicbox.org/articles/my-first-negative-review/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=my-first-negative-review</link>
		<comments>http://www.newmusicbox.org/articles/my-first-negative-review/#comments</comments>
		<pubDate>Wed, 15 May 2013 18:34:46 +0000</pubDate>
		<dc:creator>Isaac Schankler</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[music criticism]]></category>
		<category><![CDATA[reviews]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=21271</guid>
		<description><![CDATA[Last week I was the recipient of my first negative review! I was surprised at how angry and upset I was when I first read it, and how long it took me to calm down about it. In short, as much as I thought I was prepared for this inevitable moment, I wasn’t.]]></description>
		<wfw:commentRss>http://www.newmusicbox.org/articles/my-first-negative-review/feed/</wfw:commentRss>
		<slash:comments>16</slash:comments>
		</item>
		<item>
		<title>Troy Herion: Sonic Imaging</title>
		<link>http://www.newmusicbox.org/articles/troy-herion-sonic-imaging/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=troy-herion-sonic-imaging</link>
		<comments>http://www.newmusicbox.org/articles/troy-herion-sonic-imaging/#comments</comments>
		<pubDate>Wed, 15 May 2013 14:52:40 +0000</pubDate>
		<dc:creator>Frank J. Oteri</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Spotlight]]></category>
		<category><![CDATA[ACO]]></category>
		<category><![CDATA[compositional process]]></category>
		<category><![CDATA[creative process]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[style]]></category>
		<category><![CDATA[symphony]]></category>
		<category><![CDATA[synesthesia]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=21258</guid>
		<description><![CDATA[Troy Herion’s interest in making movies grew directly out of making music. It was a way to further extend the possibilities of what music can be. And in works like <em>Baroque Suite</em> and <em>New York: A City Symphony</em>, Herion has fused visual and sonic elements together so symbiotically that it is difficult to imagine them independent of one another.]]></description>
		<wfw:commentRss>http://www.newmusicbox.org/articles/troy-herion-sonic-imaging/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sounds Heard: Derek Bermel—Canzonas Americanas</title>
		<link>http://www.newmusicbox.org/articles/sounds-heard-derek-bermel-canzonas-americanas/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sounds-heard-derek-bermel-canzonas-americanas</link>
		<comments>http://www.newmusicbox.org/articles/sounds-heard-derek-bermel-canzonas-americanas/#comments</comments>
		<pubDate>Tue, 14 May 2013 14:52:45 +0000</pubDate>
		<dc:creator>Dan  Visconti</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[Listen]]></category>
		<category><![CDATA[Alarm Will Sound]]></category>
		<category><![CDATA[contemporary sinfonietta]]></category>
		<category><![CDATA[Third Stream music]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=21200</guid>
		<description><![CDATA[This collection of Bermel's music provides a helpful point of entry for those curious to know just what has made this composer so consistently stand out: his music’s fusion of quasi-minimalist beat-based sensibilities with a dizzying diversity of popular and/or indigenous sound sources from across the globe.]]></description>
		<wfw:commentRss>http://www.newmusicbox.org/articles/sounds-heard-derek-bermel-canzonas-americanas/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>American Repertoire Spring</title>
		<link>http://www.newmusicbox.org/articles/american-repertoire-spring/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=american-repertoire-spring</link>
		<comments>http://www.newmusicbox.org/articles/american-repertoire-spring/#comments</comments>
		<pubDate>Mon, 13 May 2013 20:26:38 +0000</pubDate>
		<dc:creator>Frank J. Oteri</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[2013 Spring for Music]]></category>
		<category><![CDATA[American repertoire]]></category>
		<category><![CDATA[orchestra programming]]></category>
		<category><![CDATA[repeat performances]]></category>

		<guid isPermaLink="false">http://www.newmusicbox.org/?p=21230</guid>
		<description><![CDATA[The only way that any music created on our own soil will ever be able to compete with the standard repertoire—both in terms of audience devotion to it and the high level at which it is regularly performed—is for our own music to be programmed more frequently. Luckily that seems to be starting to happen!]]></description>
		<wfw:commentRss>http://www.newmusicbox.org/articles/american-repertoire-spring/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>
